QuestFest: Baltimore, MD  - January 9-22, 2006
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QuestFest Vibe

JANUARY 14, 2006

So much to see and do, so little time to blog. The first week of events here at QuestFest has blown by faster than wind through Baltimore. A few highlights from the last couple of days:

MOSAIC TALK BACK

Mosaic PerformanceSaturday night’s performance of Mosaic was followed by a post-show discussion with the cast. The show, which features both hearing and deaf actors, is performed without dialogue, either spoken or signed. Using creative ensemble movement, the cast takes the audience on a journey through the personal stories of a variety of characters, and explores racial and religious bigotry, homophobia, gender identities, and the pressure by the larger community to make individuals conform. The stark black and white color scheme and lack of set showcase the vibrancy of movement by the actors.

During the discussion, which focused primarily on the challenges of creating theatre without text, director Miriam Ganz had this to say when asked about the content of the show, “We wanted to showcase how in this society even kindness can be oppressive. We wanted to show oppression in all its forms.”

REFLECTIONS

ReflectionsArtists tend to see each other’s work more often than they see each other. QuestFest attempted to change that Saturday night with Reflections, an artist’s gathering and salon. Over drinks and snacks, the artists and staff of the faculty shared some thoughts on their favorite moments of the festival so far, and got a chance to talk to each other more informally than through the talk-backs or workshops. Many of the memories shared had to do with the work displayed this week, such as the overwhelmingly positive response to The Tell Tale Heart and Masque of the Red Death at Creative Alliance (“I understood fear,” said Jay Herzog), or the many workshops and master classes taught over the week, but just as many had to do with moments that had happened in hallways, or on route from one venue to another. The QuestFest family grew closer this week, and now our family has begun to tell its stories to each other. Perhaps Tatsuya Aoyagi summed it up best, “This festival has made me begin to believe in Baltimore.”

Reflections
Reflections
Paul Harrelson, Fred Noel, Tim McCarty and Roslyn Ward -- all smiles at Reflections
   

 

FROM TEXT TO STAGE

How do you take a written text and transform it into visual theatre? That was the question being asked at Sunday’s Master Class, led by Ramesh Meyyappan. With a group of about twelve students, who had come from all over, he led the students through exercises designed to show how one can make words come alive through movement, facial expression, and sign mime. Sign mime involves using only the hands and face to express text visually.

The group gamely chucked tennis balls at each other, had very angry tea, brought to life the Weekly World News headlines, and participated in a World War II re-enactment. In the end, most had added a new vocabulary to their repertoire. Said one participant, “I always knew I could make something beautiful with my voice. It never occurred to me I could do it with my body.”

Ramesh will continue with QuestFest next week, bringing his show This Side Up to Towson.

Reflections
Reflections
Ramesh leads master class on the transformation of written text for visual theatre
   

PILOBOLUS TOO TALK BACK

Pilobolus Too Talk BackThe week wrapped up for PTOO with a spectacular closing performance Sunday afternoon. The crowd went crazy for the unique blend of dance, acrobatics, mime, and story-telling. The beautiful, practically gravity-defying movements of Matt Kent and Rebecca Darling were discussed in a post-show discussion.

Pilobolus Too

 

 

 

 

 

The team shared a little of the history of the company, and their methods of training and creation of pieces. Rebecca explained what makes PTOO unique. “We create all our pieces with improvisation. Sometimes we start with an idea, or a piece of music, but sometimes we don’t have anything. We just try stuff and see where it takes us.” Some audiences expressed concern over the physical demands of the performances, and the safety of the performers, but Matt was quick to dismiss their fears. “I have a background in martial arts, and that helps a lot.” He was, however, quick to point out that the audience probably shouldn’t try this stuff at home. “If a normal person were to try this stuff, they definitely hurt themselves,” he said.

 

 

 



 

 
 Presented by Quest Productions, a division of Quest: arts for everyone  
For more information contact info@questfest.org